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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Sir Percy Spender
Sir Percy Spender
Sir Percy Spender

Sir Percy Spender, 1981

Alex Kolozsy
Portrait, cold cast bronze

Gift of the artist and the New South Wales division of the Liberal Party of Australia 2004

image not online

Basil P. Bressler

Biography

Basil Philip Bressler, who died in 2000, was a surveyor with an amateur interest in art and music.

Radical Restraint 
Justice Michael Kirby

A gift from the heart

Magazine article by Lauren Dalla, 2003

Lauren Dalla examines the life of Basil Bressler, the art patron responsible for one of the NPG's most important bequests.

Portrait of a lady (Sonia McMahon)
Portrait of a lady (Sonia McMahon)
Portrait of a lady (Sonia McMahon)

Portrait of a lady (Sonia McMahon), 1999

Esther Erlich
Portrait, synthetic polymer paint on canvas

Gift of an anonymous donor 2014

Patrick Corrigan
Patrick Corrigan
Patrick Corrigan

Patrick Corrigan, 2006

Paul Newton
Portrait, oil on canvas

Gift of Patrick Corrigan AM 2007

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine

Contemporary women artists make Australian history
Previous exhibition, 2018

This exhibition features new works from ten women artists reinterpreting and reimagining elements of Australian history, enriching the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.

Daddy Cool, Melbourne
Daddy Cool, Melbourne
Daddy Cool, Melbourne

Daddy Cool, Melbourne, 1974

Rennie Ellis
Portrait, gelatin silver photograph, selenium toned on paper

Purchased 2005

Field Marshal the Lord Birdwood

Centenary of ANZAC

About Face article

Just now we pause to mark the centenary of ANZAC, the day when, together with British, other imperial and allied forces, the Australian and New Zealand Army Corps landed at Gallipoli at the start of the ill-starred Dardanelles campaign.

The Reorientalist, 2013 by Juan Ford

Juan Ford

More about In the flesh artists

Juan Ford received a Master of Art, by research, from RMIT University in 2001. His many commissions include the National Gallery of Victoria’s interactive work You, me and the flock for Melbourne Now 2013/2014 and a project for Hotel de Immigrantes, a project in Manifesta 9, the European Biennale in 2012.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency